This
advertisement was published by Volkswagen. Volkswagen is a well-known,
prestigious car company with a good reputation. Therefore, the
advertisement does not have to do much to establish ethos, since
Volkswagen already has automatic ethos as a maker of good cars. The
advertisement was made to advertise the “park assist” feature in the
Volkswagen cars. It does this by humorously comparing the ability of the
car to a hedgehog and bags of goldfish. This humor appeals to pathos
and catches the viewer’s attention. The use specifically of the hedgehog
and the bags of goldfish emphasize the importance of the feature of the
car to park accurately (it is implied that if the hedgehog is the
slightest bit off from where it is “parked”, then it will pop the fish
bag and the fish will die). The simplicity of the white background draws
attention to the hedgehog and the fish (specifically the hedgehog since
it is the one different object in the advertisement). Additionally,
attention is drawn to the animals with the words being very small and
out of the way (they are just on the bottom right corner, as opposed to
being large in the center). However, the words are also very simple,
only saying “Precision Parking,” as opposed to describing thoroughly how
the hedgehog needs to be in the right place or else, etc. As a result,
the words contribute slightly to the humor as well as give context to
the importance of the hedgehog being in the right place (for example,
one might just view the image as a hedgehog and some fish and be
confused about why the car company is showing this picture). Therefore,
the words provide context to the ability of the car that Volkswagen is
advertising. The viewer is likely to be inclined to buy the car because
of its amazing parking feature, as portrayed through the animals in the
advertisement.
Sunday, December 21, 2014
Sunday, December 14, 2014
TOW #13- The Lives of a Cell by Lewis Thomas (written text)
“The
Lives of a Cell” was written by Lewis Thomas in 1971. Thomas was a
physician, and although he just started writing “for fun,” he soon
became a successful author as well. Thomas was a prominent medical
researcher, and he was the dean of both NYU Medical School and Yale
Medical School. He was well-known for his creative and original
hypotheses and for his writings. This significant scientific research
and important professions provided Thomas with automatic ethos in his
writings. “The Lives of a Cell” was published in The New England Journal of Medicine.
As a result, this essay was probably published for other people
involved in medicine to read. Another clue that this was published for
other people involved in medicine is that Thomas references specific
terms, such as “mitochondria,” that the general public might not
understand, unless they were involved in medicine. Therefore, Thomas’s
purpose in writing this essay is to give the people involved in medicine
a more uncommon view of the earth, the ecosystem, and the cells, etc.
Thomas’s essay seems argumentative, and he is arguing that the earth is
not nearly as fragile a place as one might imagine. Instead, it is
composed of a multitude of complex parts working together, and humanity
is the fragile part. In order to to argue this, Thomas begins by
refuting the counterargument, and common belief, that humanity is
fragile. Thomas writes, “We are told that the trouble with Modern Man is
that he has been trying to detach himself from nature...In this
scenario, Man comes on as a stupendous lethal force and the earth is
pictured as something delicate...But it is illusion to think that there
is anything fragile about the life of the earth...” (Thomas 1-2). By
beginning with this common belief and then subsequently refuting it in a
logical way with research, the reader is able to more easily be
persuaded to believe Thomas’s opinion. After the initial counterargument
rebuttal in the beginning of the essay, Thomas goes on to prove his
point throughout the essay with specific examples, such as by explaining
the complexity of mitochondria within us, before concluding at the end
with a full circle, thought-provoking ending that the earth is in fact a
living cell. In this way, Thomas draws together the title and his
description of the cells, as well as his description of the earth, in
order to give a final declaration of the complexity of the earth and the frailness of humanity.
Sunday, December 7, 2014
TOW #12- Musicophilia by Oliver Sacks (IRB post 1)
For my IRB, I am reading Musicophilia
by Oliver Sacks. Oliver Sacks is a world-renowned neurologist who is a
professor of neurology at the NYU School of Medicine, as well as a
physician and an author. He has written many books about neurology in
addition to this book. He establishes ethos in his written by
referencing the numerous patients he has treated on the topic, saying,
“...I have occasionally had patients with a similar sudden onset of
musical or artistic interests” (8). The first part of the book that I
have read so far is about anomalies people have experienced in their
brains with a connection to music. For example, some people have
experienced seizures triggered by certain types and sounds of music,
while other people have experienced a sudden appreciation and desire to
learn certain things about music as a result of a traumatic brain
experience, such as being in an accident, struck by lightning, or having
a brain tumor. The book is written in order to inform the reader about
these crazy, seemingly unnatural experiences. It is written for the
general public, so although the topic is a highly advanced medical idea,
it is written in a way that the general public has to be able to
understand. As a result, the Sacks writes using a plethora of anecdotes,
both personal and general, and footnotes. Sacks’ personal anecdotes
refer to his personal experiences, while his general anecdotes give
clear examples of people who have experienced the topics about which he
is writing. As a personal anecdote, Sacks writes, “As I was dressing
this morning after a swim, I was reminded, now I was on land again, of
my painful, arthritic old knees-and I thought too about my friend Nick,
who would be visiting that day” (36). This personal anecdotes give Sacks
a personal connection to his audience, as well as to the topic about
which he is speaking. The general anecdotes give examples of the
experiences about which Sacks is writing in order to help the audience
understand more clearly. For example, Sacks writes, “Tony Cicoria was
forty-two, very fit and robust, a former college football player who had
become a well-regarded orthopedic surgeon in a small city in upstate
New York” (3). The footnotes, as well, help the reader understand the
topic, since they provide additional information on the studies and
topics referenced that the general public might not know otherwise. In
this way, Sacks effectively accomplishes his purpose of informing the
general public about crazy experiences relating music and the brain.
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