The Way to Rainy Mountain was
 written by N. Scott Momaday. Momaday is an award-winning Native 
American author, who won a Pulitzer Prize for his fiction writing in 
1969. This particular essay was published in The Reporter in
 1967, which is a reputable news source for the general public. Momaday 
wrote this essay to inform people about his dying culture to spread 
awareness. Throughout the essay, and especially in the beginning, 
Momaday uses nature imagery. When describing the weather, Momaday 
describes the harsh climate and how “the grass turns brittle and brown, 
and it cracks beneath your feet” (1). Instead of simply saying that is 
was very hot and dry, Momaday gets his point across more descriptively 
by describing the effects of the weather on the grass as opposed to just
 describing the weather. This helps the reader to more clearly 
understand the hardships through which Momaday’s tribe, the Kiowa, lived
 and to feel a stronger appreciation for them, as well as more easily 
understand their habitat. Momaday also uses anaphora in the beginning to
 describe the desolate landscape, saying, “...there is no confusion of 
objects in the eye, but one hill or one tree or one man”
 (1). By doing this, Momaday is emphasizing the plain, emptiness of the 
prairie, which helps the reader to understand the home of his tribe and 
how alone they were. Finally, Momaday uses personal anecdotes about his 
memories of his grandmother in order to  give a more personal connection
 to the reader. The reader is more likely to sympathize with Momaday and
 his culture when they hear personal stories about it than if Momaday 
were to just speak in general terms. For example, Momaday writes, “Once 
there was a lot of sound in my grandmother’s house, a lot of coming and 
going, feasting and talk” (3). Throughout the description of his 
personal memories, the reader feels as though he/she was there, which 
makes him/her feel sympathy that the Kiowa tribe is dying. Therefore, 
Momaday successfully achieves his purpose by using nature imagery, 
anaphora, and personal anecdotes. 
 
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